Page 644 - Shakespeare - Vol. 3
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STUDI SULLE INTERPRETAZIONI SCENICHE
J.L. Styan, Shakespeare in Performance: «All’s Well That Ends Well» ,
Manchester 1984; A. Dessen, Taming the Script, in «Shakespeare Bulletin», 1,
1993, pp. 34-47; R. Wilson, Shakespearean Narrative, Newark, Delaware,
1995.
STUDI
S.T. Coleridge, Shakespearean Criticism, a cura di T.M. Raysor, London 1931;
W.W. Lawrence, Shakespeare’s Problem Comedies, New York 1931; G.B.
Sha w, Our Theatre in the Nineties, London 1932; E.M.W. Tillyard,
Shakespeare’s Problem Plays, Toronto 1949; R.G. Hunter, Shakespeare and
the Comedy of Forgiveness, New York 1965; S. Johnson, Works, New Haven
1968; J.G. Price, The Unfortunate Comedy: A Study of «All’s Well That Ends
Well» and Its Critics, Toronto 1968; B. Everett, Introduzione, All’s Well That
Ends Well, New Penguin Shakespeare, London 1970; L. Salingar, Shakespeare
and the Traditions of Comedy, Cambridge 1974; W.P. Halstead, Shakespeare
as Spoken, Ann Arbor 1979; H. Cole, The «All’s Well» Story from Boccaccio to
Shakespeare, Urbana 1981; R.P. Wheeler, Shakespeare’s Development and
the Problem Comedies, Berkeley, 1981; A. Kirsch, Shakespeare and the
Experience of Love, Cambridge 1981; R. Fraser, Introduzione, All’s Well That
Ends Well, New Cambridge Shakespeare, London 1985; R. Ornstein,
Shakespeare’s Comedies, Newark 1986; M. Williamson, The Patriarchy of
Shakespeare’s Comedies, Detroit 1986; M. Ranald, Shakespeare and His
Social Context, New York 1987; V. Thomas, The Moral Universe of
Shakespeare’s Problem Plays, London 1987; S.P. Zitner, All’s Well That Ends
Well, Toronto 1989; R. Hillman, William Shakespeare: The Problem Plays,
New York 1993; S. Snyder, Introduzione, All’s Well That Ends Well , Oxford
1993; D. Haley, Shakespeare’s Courtly Mirror: Reflexivity and Prudence in
«All’s Well», Newark, Delaware, 1993.
Tra i numerosissimi saggi pubblicati sui vari aspetti del dramma si segnalano
i seguenti: M.C. Bradbrook, Virtue Is the True Nobility: a Study of the
Structure of All’s Well, «Review of English Studies», 1.4, 1950, pp. 289-301;
James L. Calderwood, Styles of Knowing in All’s Well, «Modern Language
Quarterly», 25.3, 1964, pp. 272-94; R. Hapgood, The Life of Shame: Parolles
and All’s Well, «Essays in Criticism», 15.3, 1965, pp. 269-78; A. Leggatt, «All’s
Well That Ends Well»: The Testing of Romance , «Modern Language
Quarterly», 32, 1971, pp. 21-41; R. Warren, Does It End Well? Helena,
Bertram and the Sonnets, «Shakespeare’s Survey» 31, 1978, pp. 141-53;