Page 1767 - Shakespeare - Vol. 2
P. 1767
Discourse, Cambridge 1984.
STUDI SU «COME VI PIACE»
Oltre alle sezioni nelle opere citate: J. Smith, As You Like It, in «Scrutiny», IX,
1940; J. Palmer, Touchstone, in Comic Characters of Shakespeare, London
1946; H. Jenkins, As You Like It, in «Shakespeare Survey», 8, 1955; J. Shaw,
Fortune and Nature in As You Like It, in «Shakespeare Quarterly», VI, 1955;
H. Gardner, As You Like It, in More Talking of Shakespeare , a cura di J.
Garrett, London 1959, poi col titolo Let the Forest Judge in Shakespeare’s
Comedies 1967, cit., e nel Casebook 1975, cit. sotto; M. Jamieson, As You
Like It, in «Arnold’s Studies in English Literature», London 1965; H.J. Oliver,
Introduzione all’edizione New Penguin, cit., 1968; A. Barton, As You Like It
and Twelfth Night, Shakespeare’s Sense of an Ending, in Shakespearian
Comedy, cit.; A. Latham, Introduzione all’edizione Arden 1975, cit.;
Shakespeare, Much Ado about Nothing and As You Like It, A Casebook, a cura
di J.R. Brown, London 1979.
STUDI SULLA MALINCONIA
J. Babb, The Elizabethan Malady, London 1951; B.G. Lyons, Voices of
Melancholy, ivi 1971; V. Gentili, La recita della follia, Torino 1978.
STUDI SULL’ARCADIA E LA PASTORALE
W.W. Greg, Pastoral Poetry and Pastoral Drama , London 1906; W. Empson,
Some Versions of Pastoral, ivi 1935; E. Panofsky, Et in Arcadia Ego, in
Philosophy and History, ivi 1936; F. Kermode, English Pastoral Poetry, ivi
1953; R. Poggioli, The Oaten Flute, in «Harvard Library Bulletin», XI,
Cambridge, Mass., 1957; W.R. Davis, A Map of Arcadia, London 1965; T.
McFarland, Shakespeare’s Pastoral Comedy, Chapel Hill, N.C., 1972; D.P.
Young, The Heart’s Forest: A Study of Shakespeare’s Pastoral Plays , New
Haven, Ct., 1972 (ristampato in parte in Shakespeare, Much Ado about
Nothing and As you Like It, A Casebook, cit.).
STUDI SULLA MUSICA DEI «SONGS»
F. Bridge, Shakespearian Music in the Plays and Early Operas, London 1923;
J.M. Gibbon, Melody and the Lyric from Chaucer to the Cavaliers, ivi 1930;
J.H. Long, Shakespeare’s Use of Music, University of Florida 1955; P. Seng,
The Vocal Songs in the Plays of Shakespeare, London 1967.