Page 56 - Shakespeare - Vol. 1

in 3 «Henry VI», in «Tennessee Studies in Literature», 22 (1977), pp. 37-
45; J.T. Henke, The Ego-King: an Archetypal Approach to Elizabethan
Political Thought and Shakespeare’s Henry VI Plays, Salzburg 1977; J.A.
Riddell, Talbot and the Countess of Auvergne , in «Shakespeare Quarterly»,
28 (1977), pp. 51-57; W.H. Clemen, Some Aspects of Style in the Henry VI
Plays, in P. Edwards - I.S. Ewbank - G.K. Hunter (a cura di),
Shakespeare’s Styles: Essays in Honour of Kenneth Muir, Cambridge 1980,
pp. 9-24; B. Hodgdon, Shakespeare’s Directorial Eye: A Look at the Early
History Plays, in S. Homan (a cura di), Shakespeare’s More than Words Can
Witness, Lewisburg (Pa.) 1980, pp. 115-129; P. Kleine, Zur
Figurencharateristik in Shakespeares «Henry VI», München 1980; L.C.
Knights, Rhetoric and Insincerity, in Shakespeare’s Styles: Essays in Honour
of Kenneth Muir, cit., pp. 1-8; P. Dean, Shakespeare’s «Henry VI» Trilogy
and Elizabethan ‘Romance’ Histories: The Origins of a Genre, in
«Shakespeare Quarterly», 33 (1982), pp. 34-48; P. Sahel, «Henry VI»: Le
Mythe contre l’histoire, in AA.VV., Mythe et Histoire (Actes de la Societé
Française Shakespeare), Paris 1984, pp. 51-65; R. Warren, ‘Contrarieties
Agree’: An Aspect of Dramatic Technique in «Henry VI», in «Shakespeare
Survey», 37 (1984), pp. 75-83; J.C. Bulman, Shakespeare’s Georgic
Histories, in «Shakespeare Survey», 38 (1985), pp. 37-47; D.A. Carroll,
Greene’s ‘Upstart Crow’ Passage: A Survey of Commentary , in «Research
Opportunities in Renaissance Drama», 28 (1985), pp. 111-127; R.
Dombrowa, Strukturen in Shakespeares King Henry the Sixth, Amsterdam
1985; M. Hattaway, Rebellion, Class Consciousness, and Shakespeare’s 2
«Henry VI», in «Cahiers Elisabéthains», 33 (1988), pp. 13-22; G.B. Jackson,
Tropical Ideology: Witches, Amazons, and Shakespeare’s Joan of Arc , in
«English Literary Renaissance», 18 (1988), pp. 40-65; F. Laroque,
Shakespeare et la fête, Paris 1988, pp. 264-269; L.S. Marcus, Puzzling
Shakespeare. Local Reading and Its Discontents, Berkeley (Ca.) 1988; N.A.
Gutierrez, Gender and Value in 1 «Henry VI»: the Role of Joan de Pucelle,
in «Theatre Journal», 42 (1990), pp. 183-193.
«Enrico VI» a teatro: B. Jackson, On producing «Henry VI», in «Shakespeare
Survey», 6 (1953), pp. 49-52; A.C. Sprague, Shakespeare’s Histories: Plays
for the Stage, London 1964; J. Barton (in collaboration with P. Hall), The
War of the Roses, Adapted for the Royal Shakespeare Company, London
1970; G. Strehler, Il gioco dei potenti (1973), in Inscenare Shakespeare,
Roma 1992, pp. 55-58; J. Cook, Women in Shakespeare, London 1980; A.
Noble (a cura di), The Plantagenets, Adapted by the Royal Shakespeare
Company, London 1989; A.C. Dessen, Stagecraft and Imagery in
Shakespeare’s «Henry VI», in A. Gurr (a cura di), The Yearbook of English
Studies, vol. 23 (1993), pp. 65-79.