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1988; A. Leggatt, Shakespeare’s Political Drama , London 1988; A.
Patterson, Shakespeare and the Popular Voice , Oxford 1989; N. Shaheen,
Biblical References in Shakespeare’s History Plays, Newark (Del.) 1989;
L.S. Champion, ‘The Noise of Threatening Drum’: Dramatic Strategy and
Political Ideology in Shakespeare and the English Chronicle Plays, Newark
(Del.) 1990; G.K. Hunter, Truth and Art in History Plays , in «Shakespeare
Survey», 42 (1990), pp. 15-24; P. Rackin, Stages of History: Shakespeare’s
English Chronicles, Ithaca (N.Y.) 1990; B. Hodgdon, The End Crowns All:
Closure and Contradiction in Shakespeare’s History, Princeton (N.J.) 1991;
R.C. Jones, These Valiant Dead: Reviewing the Past in Shakespeare’s
Histories, Iowa City (Ja.) 1991; W.F. Bolton, Shakespeare’s English:
Language in the History Plays, Oxford 1992; W.C. Carroll, Language,
Politics, and Poverty in Shakespearian Drama, in «Shakespeare Survey», 44
(1992), pp. 17-24, e P. Sahel, Some Versions of Coup d’Etat: Rebellion and
Revolution, ibidem, pp. 25-32; C. Edelman, Brawl Ridiculous. Swordfighting
in Shakespeare’s Plays, Manchester 1992; G. Holderness, Shakespeare
Recycled. The Making of Historical Drama, New York 1992; G. Holderness
(a cura di), Shakespeare’s History Plays, London 1992; S.S. Hussey, The
Literary Language of Shakespeare, London 19922; E. Pearlman, William
Shakespeare. The History Plays, New York 1992; D. Märtin, Shakespeares
‘Fiend-like Queens’, Heidelberg 1992; P. Pugliatti, Shakespeare storico,
Roma 1993 (trad. inglese con nuovi contributi, Shakespeare the Historian,
London, St. Martin’s Press, 1996); R. Burt - J.M. Archer (a cura di),
Enclosure Acts. Sexuality, Property and Culture in early modern England,
Ithaca (N.Y.) 1994; K.O. Irace, Reforming the «Bad» Quartos, Newark
(Del.) 1994; S. Wells, Shakespeare. A Dramatic Life, London 1994; F.
Ferrara, Il teatro dei re. Saggio sui drammi storico-politici di Shakespeare,
Bari 1995; V. Gabrieli, La storia d’Inghilterra nel teatro di Shakespeare,
Roma 1995; E. Sams, The Real Shakespeare. Retrieving the Early Years,
New Haven (Ct.) 1995; J.W. Velz (a cura di), Shakespeare’s English
Histories: A Quest for Form and Genre, Binghampton (N.Y.), 1996; J.E.
Howard - P. Rackin, Engendering a Nation, London 1997.

STUDI SULLA TRILOGIA DI «ENRICO VI»

Con particolare riferimento alla seconda parte: P. Alexander, Shakespeare’s
Henry VI and Richard III, Cambridge 1929; G. Bullough, Narrative and
Dramatic Sources of Shakespeare, voll. III e IV, London 1960-62; J.P.
Brockbank, The Frame of Disorder: Henry VI, in J.R. Brown-B. Harris (a cura
di), Early Shakespeare, London 1961, pp. 73-99: R.S. Berman, Fathers and
Sons in the Henry VI Plays, in «Shakespeare Quarterly», 13 (1962), pp.
487-97; S. Burckhardt, Shakespeare’s Meanings, Princeton (N.J.) 1968;
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