Page 274 - Shakespeare - Vol. 4
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STUDI CRITICI

          E.M.W.  Tillyard, Shakespeare’s  Last  Plays,  London  1938;  F.C.  Tinkler,
          Cymbeline,  in  «Scrutiny», VII  (1938);  A.A.  Stephenson, The  Significance  of
          «Cymbeline»,  in  «Scrutiny», X  (1942);  G.  Wilson  Knight, Cymbeline,  in The
          Crown of Life. Essays in Interpretation of Shakespeare’s Final Plays, London

          1947;  J.M.  Nosworthy, The  Source  of  the  Wager  Plot  in  «Cymbeline»,  in
          «Notes  and  Queries», CXCVII  (1952);  J.M.  Nosworthy, The  Integrity  of

          Shakespeare  Illustrated  from  «Cymbeline»,  in  «Shakespeare  Survey», VIII
          (1955);  M.E.  Prior, «Cymbeline»,  in  «Shakespeare  Quarterly», VII (1956); I.
          Ribner, Shakespeare  and  Legendary  History:  «Lear»  and  «Cymbeline»,  in
          «Shakespeare  Quarterly», VII (1956); J.P. Brockbank, History and Histrionics
          in  «Cymbeline»,  in  «Shakespeare  Survey», XI  (1958);  H.L.  Rogers, The

          Prophetic  Label  in  «Cymbeline»,  in  «Review  of  English  Studies»,  n.s., XI
          (1960);  E.  Jones, Stuart Cymbeline,  in  «Essays  in  Criticism», XI  (1961);  C.
          Gesner, «Cymbeline»  and  the  Greek  Romances,  in Studies  in  English
          Renaissance Literature, a cura di W.F. McNeir, Baton Rouge (Louisiana) 1962;

          F.D.  Hoeniger,  Irony  and  Romance  in  «Cymbeline»,  in  «Studies  in  English
          Literature  1500-1900», II  (1962);  D.R.C.  Marsh, The  Recurring  Miracle.  A
          Study of «Cymbeline» and the Last Plays, Pietermaritzburg (Natal) 1962; R.

          Moffet, «Cymbeline»  and  the  Nativity,  in  «Shakespeare  Quarterly», XIII
          (1962);  F.  Kermode,  William  Shakespeare:  The  Final  Plays,  London  1963;

          G.K.  Hunter, The  Spoken  Dirge  in  Kyd,  Marston  and  Shakespeare:  a
          Background  to  «Cymbeline»,  in  «Notes  and  Queries»,  n.s., XI  (1964);  H.
          Swander, «Cymbeline»  and  The  Blameless  Hero,  in  «Journal  of  English

          Literary History», XXXI (1964); F. Berry,  Word and Picture in the Final Plays, in
          Later Shakespeare, a cura di J. Russell Brown e B. Harris, New York 1966; B.
          Harris, What’s  Past  Is  Prologue:  «Cymbeline»  and  «Henry  VIII»,  in Later
          Shakespeare,  cit.;  A.C.  Kirsh, «Cymbeline»  and  Coterie  Dramaturgy,  in
          «Journal of English Literary History», XXXIV (1967); W. Kluge, Fidele’s Dirge in

          Shakespeare «Cymbeline», in «Shakespeare Jarbuch» (Weimar), CIII (1967);
          G.  Hill, The  True  Conduct  of  Human  Judgement:  Some  Observations  on
          «Cymbeline», in The Morality of Art: Essays Presented to G.W. Knight, a cura

          di  D.W.  Jefferson,  London  1969;  N.  Shaheen, The  Use  of  Scripture  in
          «Cymbeline»,          in     «Shakespeare           Studies», IV  (1969);  W.B.  Thorne,
          «Cymbeline»:  Lopp’d  Branches  and  the  Concept  of  Regeneration,  in
          «Shakespeare  Quarterly», XX  (1969);  M.M.  Schwartz, Between  Fantasy  and
          Imagination:  A  Psychological  Exploration  of  «Cymbeline»,  in Psychoanalysis

          and Literary Process, a cura di F.C. Crews, Cambridge 1970; J. Kott,  Lucian in
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