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Mosca 1977, pp. 250-256
D. CHEVALIER, Picasso. The Blue and Rose period, Lugano 1969

A. CIRICI-PELLICER, Picasso avant Picasso, Ginevra 1950
S. FINKELSTEIN, Der junge Picasso, Dresda 1970
A. GRISHCHENKO, About Relations of Russian Painting with

Byzantium and the West, Mosca 1913
R. JOHNSON, “Picasso’s Parisan Family and the Saltimbanques”, Arts

Magazine, gennaio 1977, pp. 90-95
A. KANTOR-GUKOVSKAYA, “About Picasso’s Sketch in the
Hermitage Collection of Drawings”, Proceedings of the State

Hermitage, 1981, edizione 46, pp. 22-24
A. PODOKSIK, “Die Entstehung der blauen Periode Picasso und das

pariser Gefängnis von St. Lazare”, in: Picasso (junge), 1984, pp.
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A. PODOSIK, “The Origins of Picasso’s Blue Period and the St.
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1985, pp. 128-139
V. PROKOFYEV, “Picasso.The Formative Years”, in: From the
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1980
TH. REFF, “Themes of Love and Death in Picasso’s Early Work”, in:

Picasso in Retrospect, pp. 5-30, 177-183

CUBISMO

D. SUTTON, Picasso, peintures, époques Bleue et Rose, Parigi 1944
N. BERDIAYEV, “Picasso”, Sofia, 1914, n. 3, pp. 57-62
S. BULGAKOV, “The Corpse of Beauty”, Russkaya mysl, 1915, n. 8

G. BURGESS, “The Wild men of Paris”, in: The Architectural Record,
New York, maggio 1910, P. 400-414

P. CABANNE, L’Epopée du cubisme, Parigi 1963
J. CAMÓNAZNAR, Picasso y el cubismo, Madrid 1956

D. COOPER, The Cubist Epoch, Londra-Los Angeles-New York 1971
P. DAIX, “Il n’y a pas ‘d’art nègre’ dans Les Demoiselles d’Avignon”

in: Gazette des Beaux-Arts,ottobre 1970, pp. 247-270
P. DAIX, “Braque and Picasso at the Time of Papiers Collés”, in:
Braque. The Papiers Collés, Washington 1982, pp. 23-43

S. FAUCHEREAU, La Révolution cubiste, Parigi 1982
E. FRY, Cubism, New York-Toronto, 1966