Page 108 - The Secret Museum
P. 108

commandeered for the royal library.

              Every piece of clay writing in the library is written in exactly the same style of

          cuneiform. The king employed a roomful of scribes to read every single thing that
          went into the library and copy it out into perfect Assyrian cuneiform writing, ‘like
          BBC English,’ Finkel suggests. Important things were baked to terracotta, so that they
          would survive for a long time, and less important things were simply laid out in the
          sun to dry.

              The cuneiform on one particular clay tablet looks completely different to the rest.
          It has really big, childish writing on it and looks totally out of place. Finkel picked it
          up and began reading, tracing his finger across the clay tablet in his hands.


                Turn your faces to the petition manifest in my raised hands.

                May your fierce hearts rest,
                May your reins be appeased, grant me reconciliation
                That I may sing your praises without forgetting to the widespread people.


              It’s an incantation, written in a child’s hand, with letters a centimetre high which
          aren’t joined up. It was written by King Ashurbanipal when he was a child and
          learning to write. This is his school exercise book. Just as you might still have a
          school exercise book or two at home, to remind you of when you were learning to
          write, the king must have decided to keep this clay tablet as a souvenir of his

          childhood, a marker of the days when his love of literature was formed.

              The tablet begins, ‘Ea, Shamash, and Marduk, what are my iniquities?’ and
          continues with an incantation to the gods to forgive the writer and release him from
          sickness. The prayer is written to appease the wrath of a god who has stricken him
          down with illness.

              In the young king’s case, at the time, he was more than likely copying the
          incantation out as an exercise.

              ‘How old do you think he was when he wrote this?’ I asked Finkel.

              ‘About 12?’ he replied. ‘We don’t know for sure.’ There is only one tablet in the
          world of which scholars feel sure about the age of the scribe. That is because the
          scribe bit his tablet. Thousands of years later, the American curator who looked after
          it saw the teeth marks, slipped the tablet in his pocket and took it to his dentist. The

          dentist said that the marks were made by the teeth of a seven-year-old boy who lived
          over two millennia ago.

              The boy who copied out the incantation grew up, became king, ruled for 39 years
          and, over that time, built up an epic library. Two and a half thousand years ago, the
          clay tablets were stored upright on shelves, like we store books – except for a few
          things, such as love letters, which were kept in baskets.

              The fact that the library has survived is something of a miracle. Towards the end
   103   104   105   106   107   108   109   110   111   112   113