Page 1721 - Shakespeare - Vol. 2
P. 1721

PISTOL

               I take thy groat in earnest of revenge.



              FLUELLEN
          If I owe you any thing I will pay you in cudgels: you shall be a woodmonger,
          and buy nothing of me [60] but cudgels. God bye you, and keep you, and
          heal your pate.

                                                                                                             Exit.



              PISTOL
               All hell shall stir for this.



              GOWER
          Go, go; you are a counterfeit cowardly knave. Will you mock at an ancient
          tradition, begun upon an [65] honourable respect, and worn as a memorable
          trophy of predeceased valour, and dare not avouch in your deeds any of your

          words?  I  have  seen  you  gleeking  and  galling  at  this  gentleman  twice  or
          thrice. You thought, because he could not speak English in the native garb,
          he could [70] not therefore handle an English cudgel: you find it otherwise;
          and  henceforth  let  a  Welsh  correction  teach  you  a  good  English  condition.

          Fare ye well.
                                                                                                             Exit.



              PISTOL
               Doth Fortune play the huswife with me now?
               News have I that my Doll is dead i’ the spital [75]
               Of malady of France,

               And there my rendezvous is quite cut off.
               Old I do wax, and from my weary limbs
               Honour is cudgellèd, Well, bawd I’ll turn,

               And something lean to cut-purse of quick hand. [80]
               To England will I steal, and there I’ll steal:
               And patches will I get unto these cudgell’d scars,
               And swear I got them in the Gallia wars.
                                                                                                             Exit.




                                                    Scene II         IT
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