Page 74 - The Secret Museum
P. 74

outside the museum. It is decorated with objects from the Tradescants’ collection.

          Legend has it that if you dance around it 12 times as Big Ben strikes, a ghost will
          appear. On the tomb is a poem probably written by John Aubrey describing the
          Tradescants, who:


                … Liv’d till they had travelled Orb and Nature through,
                As by their choice Collections may appear,
                Of what is rare in land, in sea, in air,

                Whilst they (as Homer’s Iliad in a nut)
                A world of wonders in one closet shut…


              Their ‘world of wonders’ passed eventually, and controversially, into the hands
          of Elias Ashmole, who gave it to the University of Oxford. The Tradescant Ark was
          opened as the Ashmolean Museum, in Broad Street, Oxford, in 1683. It was the first
          purpose-built public museum in the world.

              There were three floors in the museum. The Ark collection was on display on the
          top floor, along with other natural history artefacts. The ground floor was used for
          lectures and teaching, and the basement was a laboratory. All the original signs

          above the doorways on each floor are there, explaining what each room was used
          for.
              Today, The Ark and the Ashmolean Museum have moved across the city of

          Oxford, and the original Ashmolean building has been taken over by the Museum of
          the History of Science. When they renovated the building in 1999, they lifted the
          floorboards on the first floor. Beneath them were all kinds of treasures from the
          original museum.

              When the first discovery was made, the current museum curators joined the
          builders in digging up these secrets. They felt like ‘floorboard archaeologists’, sifting
          through dust rather than the earth. They pulled out all kinds of simple things, most of
          them dating from the eighteenth century, rather than from the very beginning of the

          museum in 1683.

              The ephemera they pulled out of the dust includes: the label from the key that
          belonged to Dr Plot, keeper of the museum; a letter from J. Chapman, who worked
          there; labels from portraits; a lizard; a book cover; the remains of a posy of flowers;
          and an unopened letter -which they aren’t going to open. I’m not sure how they can
          resist. I liked a small house, cut out of paper, made by someone daydreaming while at
          the museum, and a sketch of ‘Edward’, a keeper of the museum, with a little flower
          drawn beneath him.

              There are things which whoever dropped them must have been upset to lose – a

          ring; a penknife and a child’s tooth with a hole drilled through it which had probably
          been tied on to a string as a keepsake. Perhaps the child’s father or mother wore it
          and crawled around on the floor of the museum looking for it when it fell off the
   69   70   71   72   73   74   75   76   77   78   79