Page 394 - The Secret Museum
P. 394

He hesitated to publish his daughter’s diary, but he finally decided to fulfil her

          wish.

              Before long, the diary was a sensation. Across the world, people got to know
          Anne Frank intimately through her own words, and everyone was moved by the story
          she told. A Broadway play based on her diary opened in 1955, and was shown in
          Germany the following year. A reviewer wrote, ‘In Berlin, after the final curtain, the
          audience sat in stunned silence. There was no applause. Only the welling sound of
          deep sobs broke the absolute stillness. Then, still not speaking and seeming not to
          look at each other, the Berliners filed out of the theatre.’

              Otto Frank wanted Anne’s diary to be a message to humanity: ‘I hope Anne’s book

          will have an effect on the rest of your life so that, insofar as it is possible in your
          own circumstances, you will work for unity and peace.’ This was also his motivation
          for making the secret annexe into a museum.

              At the museum’s opening ceremony, he could not finish his speech: ‘I ask
          forgiveness because I can no longer speak of the events that took place here during
          the war. It’s too hard for me. I can’t.’ He hoped that the house would be ‘an earnest
          warning from the past and a mission of hope for the future’.

              Today, over a million people a year visit the Anne Frank House. I was very
          moved when I went there and walked through the secret annexe. The events of 70
          years ago seem so immediate. Anne’s words are written on the walls of the rooms;

          her feelings pervade the space. The pictures she pinned on her bedroom wall are still
          there: beautiful brunette film stars, sweet blonde girls and reproductions of paintings.
          Next door, in her parents’ room, are the pencil lines they made to mark how tall Anne
          and Margot were at various ages. I was surprised by how high the top lines were
          drawn. I hadn’t imagined Anne as a tall teenager, but of course, six years had passed
          since she wrote in the friendship book kept in storage.

              Anne died, tragically, a month before the Allies liberated the Bergen-Belsen
          camp. Margot had already died, and Anne had no idea whether their parents were

          still alive.

              Hanneli Goslar – a schoolfriend of Anne who is also in that tenth-birthday
          photograph and also wrote a verse in the album in the archives was one of the last of
          Anne’s friends to see her, in the camp. Hanneli said after the war, ‘I have always
          thought that if Anne had known that her father was still alive, she would have found
          the strength to go on living.’

              Anne Frank’s story is one of the best-known stories of anyone who lived through
          the Second World War. She has become a symbol for the lost Jewish children of her
          generation. But she is only one of over a million children who, like her, were

          wrenched from happy childhoods, into hiding, into exile, or to their death.
              I wondered what had become of her dear schoolfriend Juultje Ketellapper, the
          owner of the poesiealbum. Erika told me. It was not a happy tale.
   389   390   391   392   393   394   395   396   397   398   399